$50 to $100

Collection "Daghdghan"

Jewelry with each piece being a carrier of a genetic history and memory.

"Daghdghan" used to be a wooden talisman widely used in the household by Armenian people. "Daghdghan" was hung above the door at the entrance or on jugs. It was also made for people and animals.

"Daghdghan" was made through use of special ornaments and carving techniques, while the master was supposed to have positive thoughts and refrain from any kind of negativity when making the talisman because these thoughts were believed to pass on to the person the talisman was being made for.

The uniqueness of "Daghdghan" was that it was made from the wood of the holy tree of "Daghdghan", which was believed to cure animals and people, boosted fertility, protected from the evil and regulated the element of the nature.

Our jewelry is made with love and warmth! Multiply your love and warmth by wearing them or giving them to your loved ones as a gift!

Bracelet Diameter: 2.28" (58 mm) fixed
Bracelet Head Diameter: 0.79" (20 mm)
Metal: 925 Sterling Silver

Collection "Teghenyats"

The collection was created on the basis of the ornaments of the altar of the Holy Catholic Church of Teghenyats Monastery,

it belongs to the architecture of the 11th century and was restored as a piece of jewellery by Arm Root.

Teghenyats Monastery is a monastery complex in the historical province of Nig

(currently in the north-eastern part of the village of Buzhakan, Kotayk region), on the slope of Mount Teghenis.

Collection Van Kingdom

The kingdom of Urartu that had spread east and south from the region of Lake Van in Western Armenia left a heritage such as the crescent-shaped silver pectoral which is now kept in the Miho museum of the Kyoto city as a feminine silver necklace of unique beauty from the Kingdom of Van going back to 8th-7th century B.C.E.
This crescent-shaped silver pectoral's imagery is complex. It's real width is 18.4 cm. It features three sacred trees, so called, inhabited by striding fantastic winged quadrupeds. Two identical rows of two-legged winged creatures approach the central tree with drawn bows while two winged genii kneel on opposite sides of the crescent between pairs of raised rosettes. These motifs are most likely amulet in function which ancient Armenians worshiped.

In Armenian Highlands, gold and silver have been broadly used since copper-stone age (Eneolithic - 5-6 BC). Many testimonies have been maintained on Armenian rich mines in Greco-Roman historians' records as well (this is also evidenced by archaeological wealthy findings). Afterwards, Gold and Silver Art became widely spread separate and most prestigious branches of Decorative Applied Art.

Arm Root was founded by Tatev Hovakimyan from Armenia targeted to create modern jewelry based on new technologies through maintaining culture and rich traditions of silver art for age.

Collection Urartu

The art of jewellery is much more beautiful when it incorporates history. A historical hint on the Kingdom of Van in 9-6 centuries B.C. The collection has been created based on the bronze shield of Sarduri II (Karmir Blur, Museum of History of Armenia) as well as the jewelry art of Urartu.

In Armenian Highlands, gold and silver have been broadly used since copper-stone age (Eneolithic - 5-6 BC). Many testimonies have been maintained on Armenian rich mines in Greco-Roman historians' records as well (this is also evidenced by archaeological wealthy findings). Afterwards, Gold and Silver Art became widely spread separate and most prestigious branches of Decorative Applied Art.

Arm Root was founded by Tatev Hovakimyan from Armenia targeted to create modern jewelry based on new technologies through maintaining culture and rich traditions of silver art for ages.